Learning From My Sketchbooks

Lately, I’ve begun to view my sketchbook not just as a collection of drawings but as a rich tapestry of notes—an ongoing conversation with my own creativity. Each page is a canvas for exploration, a space where my hand can roam freely, unencumbered by the pressure of producing a “finished” piece. I find myself studying my marks with a newfound curiosity, examining how the subtleties of time and technique affect the lines I create. What happens when I give myself just two minutes to capture an idea versus when I allow an hour? How does my grip on the pencil influence the fluidity of my strokes? These questions propel me deeper into my artistic practice, transforming my sketches into a laboratory for experimentation.

As I immerse myself in this process, I discover that my sketches reveal patterns—recurring themes and marks that speak to my current state of mind. I am drawn to certain subjects, and the lines I create to represent them are like breadcrumbs leading me toward a deeper understanding of my own artistic voice. The act of sketching becomes a form of dialogue with myself, where every mark holds potential insights. It’s exhilarating to realize that each small drawing holds the key to unlocking something much larger within my work. I’m not merely filling pages; I’m charting a course toward a more profound connection with my abstract art.

In these pages, I see the beginnings of what can be integrated into my larger compositions. The gestural strokes that emerge in my sketches can find their way into my abstract pieces, adding layers of meaning and personal history. By analyzing the marks I make in my sketchbook, I can cultivate a deeper, more intentional approach to my abstract work. It’s as if the sketches serve as a bridge, connecting the raw spontaneity of my initial thoughts to the more refined expressions that emerge in my larger pieces. This interplay between the two realms has become a source of inspiration, allowing me to elevate my art from mere forms into a rich narrative of my experience.

Ultimately, this journey of studying my mark-making is about embracing the process of discovery. It’s a reminder that art is not just about the final product; it’s about the exploration, the learning, and the joy of creation. I am excited to see how these insights will continue to shape my work, guiding me to new depths and heights. My sketchbook is no longer just a repository of ideas; it is a vital tool in my artistic evolution, a space where I can listen to my intuition and let it inform the broader strokes of my artistic journey. So, here’s to the adventure of making marks, to the lessons they hold, and to the endless possibilities that await as I weave them into my larger body of work.

Sarah Mays

Sarah is a professional fine artist, creative educator & writer working from her studio in Fort Collins, Colorado. Her work is primarily mixed media, but she embraces exploring any medium for the sake of creative abundance.

She hopes to convey the beauty of life’s layered complexity in her work and empower artists of all backgrounds and abilities to embrace the creative process over the end result.

https://www.sarahmaysstudio.com
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Abstract Form in Contemporary Art